8 August 2009

什么鬼来的=_=

最近这两天身体很奇怪
一直打喷嚏
一直发冷发热
前两天还以为是不习惯喝malta
可是我从小到大发过一次烧而已
这次好像是发低烧。。。
但是又不像?
昨天更死
颈项左边突然间肿了一点点。。。
按下去很痛
我本来以为是拗到
可是到今天还没好?
而且好像有越来越痛的现象。。。
刚才去吃东西的时候背脊又好像有一股很烫很烫的热气冒上来
但是又一直冒冷汗
=_=很奇怪
我看明天还是去看看医生好了。。
可是不知道要看中医还是西医好。。。
算啦反正这边只有西医而已
no choice

6 August 2009

A Little Pain

To Soh Poh: Duh you retards, here's my english translation of a little pain lol. I found many versions of english translation in google...but this one consider the best...fully expressing my feelings. Yeah no need to cry...I'm always tough.



English Translation

Travel to the moon
You're asleep, as you work out your dreams
There's no one here
While the light of the stars toys with me

In order to become strong
I have to remember how to smile
If we're together, I can do it

* Realize that...
I'm here waiting for you
Even if the future is different from now
I'm here waiting for you
I keep on shouting
I'm sure all I have to do
Is pull in the thread that connects our hearts
So the person I was back then
Would open her eyes
No need to cry

Travel in silence
I can reach you if I stretch out my hands
The only memory I have of you
Is so far away

I can hear your voice
If I close my eyes
Even a little pain
Would be nice

Look at me
I'm here waiting for you
Even if you get lost, blown away by the wind
I'm here waiting for you
I look up at the sky
I was protecting my heart
With outstretched hands
Until the person you were back then
Looked back
No need to cry

(Feel something, feel nothing
Listen closely, listen closely)
Wide open ears
Disarm the dream tickler
In the constant moment
(You will find me where it's quiet
Listen closely, listen closely)
Let the blood flow
Through all the spaces
Of the universe



Japanese Version

Travel to the moon,
Kimi wa nemuri, yume wo toku
Dare mo inai, hoshi no hikari
Ayatsuri nagara

Tsuyoku naru tame,
wasureta egao
kitto futari nara, torimodosu

kidzuite
I'm here waiting for you
Ima to wa chigau mirai ga atte mo
I'm here waiting for you
Sakebi tsudzukete
Kitto kokoro wa,
Tsunagu ito wo tagutteru
Ano koro no watashi,
Me wo samasu you ni
No need to cry.

Travel in silence,
Te wo nobaseba, fureru no ni
Kimi wa tooi, sore wa,
Omoide no naka no koto

Koe ga kikoeru,
Me wo tojireba
Chiisa na itami sae,
Itoshikute.

Mitsumete
I'm here waiting for you
Kaze ni fukare
Hitori mayotte mo
I'm here waiting for you
Sora wo miagete
Zutto kokoro wa
Te wo hirogete mamotteru
Ano koro no kimi ga
Furikaeru made
No need to cry

(Feel something, Feel nothing
Listen closely, listen closely)
Wide open ears
Disarm the dream tickler
In the constant moment
(you'll find me where it's quiet
Listen closely, listen closely)
Let the blood flow
Through all the spaces of the universe

Kidzuite
I'm here waiting for you
Ima to wa chigau mirai ga atte mo
I'm here waiting for you
Sakebi tsudzukete
Kitto kokoro wa
Tsunagu ito wao tagutteru
Ano koro no watashi
Me wo samasu you ni
No need to cry.

突然觉得自己好像把这个世界想的太简单。。。
这其实都不是谁的问题,
只是我自己一下子接受不来
以前一直有人讲我太天真,
我还打死不信,以为自己懂的东西不会比别人少,
到现在看到一点点的现实,
就一下子崩溃
我想我真的是很蠢
蠢到连我自己都不想去理自己了

28 July 2009

Final Assignment of Conceptual Design~

This is our conceptual design group assignment~ (consider as final assignment gua?)
Done by Chern Yee, Mei Kin, Jiu Rong(Mushroom Hair/ Ho Tai), Serena(Soh Poh) & me~
At first we planned to do the Sydney Opera House one...but it feel like copying the original building idea, so we add in some ideas..like lotus, fairy wheel(done by mei kin), and don't know what building haha (done by chern yee, look like london's big clock =.=) And we are the only group that put in high-tech element~(LED light bulb hohoho) We put so many efforts on it you know~ =v=











23 July 2009

偷拍=v=

偷拍Mr.Tissue =v= 这些是首映礼咯~
还没曝光过的照片~ 不可以给他看到不然他跟我收版权费=_=
paiseh啦我的手机拍照功能很差的咯。。拍到蒙蒙="=
这些照片是他今天presentation我偷拍的=v=Hubungan Etnik的
哎呀最令我惊讶的是他居然回答得到老师问的问题也
我还以为他会死得很惨说- -"
ps/下次我会小小曝光一下mushroom hair的照片~敬请期待~谢谢观赏~



18 July 2009

The Last Supper =_="

The Last Supper - Leonardo da Vinci, Mary Magdalene, The Hand and Knife


Leonardo da Vinci was already a well known artist when he created his masterpiece The Last Supper. He painted it on the back wall of the dining hall at the Dominican convent of Sta Maria delle Grazie in Italy. The reason the painting is laid out the way it is is that Leonardo was trying to "extend the room", to make it look like Jesus and his apostles were sitting at the end of the dining hall. This painting became an instant famous work, for many reasons.



The painting depicts the very moment that Jesus has said to his disciples:

Now when the even was come, he sat down with the twelve.And as they did eat, he said, Verily I say unto you, that one of you shall betray me.And they were exceeding sorrowful, and began every one of them to say unto him, Lord, is it I?And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me.--Matthew 26


The disciples are all reacting in horror to the thought that someone at that table would betray their master.


Fresco vs Tempera

Dan Brown's error in The Da Vinci Code is that he calls the Last Supper a FRESCO. This painting is not a fresco. This is a critical mistake because if the painting had been a fresco, we would still have a superb image to view and examine. It is *because* it is not a fresco that we have all these questions now about what the painting is showing us. In fact, a main reason why the Last Supper painting is so famous is because it is not a fresco - and therefore that it was in essence destroyed immediately after being painted. It's important therefore to understand this issue.


Normally, the way a painting like this would have been done would be a "fresco". That means that the plaster is made wet, and then the painting is done on the wet plaster. When the plaster dries, the paint is sort of intermingled with the plaster and it's nice and permanent. However, that type of painting is limited in its colors and can't be retouched. When the plaster dries, you're stuck.


Leonardo wanted to experiment with a new style he had invented - tempera (egg yolk and vinegar) plus oil painting ON dry plaster. That way he could use more colors and redo portions if necessary. The painting took him four years to complete - 1495 to 1498. His patrons were furious at the delay but Leonardo refused to go any more quickly.


Unfortunately, Leonardo's style experiment was a disaster. The paint almost immediately began falling off the plaster. The humidity was causing the paint to separate from the plaster on which it had been painted. Whole pieces of paint fell off the wall. Over the years, the piece has been vandalized and nearly fell apart completely.


A recent 20-year effort tried to stabilize the piece for future viewing. Art experts tried to re-create what they thought the painting must have looked like originally. There is a lot of debate about whether those experts really did "fix" the painting, or if they changed its meaning by making changes in color and detail. There's no way to know, really, since the painting had fallen apart so much over the years. Much of what we know about the way this painting was done and the fact that it was NOT a fresco was learned during that repair process. I agree that some websites still claim the painting is a fresco. They are mistaken. You can't trust everything you read on the web :)



The Scene and Design

Leonardo da Vinci was working based on the few known documents which describe this meal. As all artists do, he was trying to convey an impression and message, and took "artistic license" with his source material. Just as artists will often rearrange a scene in order to better convey what they are trying to have the viewer feel and think about, so did Leonardo da Vinci rearrange what was *said* about this important event, in order to convey his own thoughts and feelings on the subject. I list a lot of his changes below.


Part of why Leonardo's version was so famous immediately was that he had chosen a very unusual way to portray the scene. Pretty much every painting of the Last Supper up until now had involved Jesus blessing the bread and wine - a nice, serene scene. Judas was always shown off in a corner, sulking, away from the rest of the disciples. This is what the Dominicans thought they were getting. When they instead got this "violent" version with the disciples all screaming and yelling, the monks were not exactly pleased. It created a lot of publicity.


Some people are intrigued by the three "lunettes" over the painting, not seen in most copies of the painting's image. These are tributes to Leonardo's patron duke. They are in fact the Sforza coat of arms. Leonardo's patron duke was Duke Lodovico Sforza
So the center spot is the arms of the Duke plus his wife Beatrice d'Este. To the left is that of Massimiliano, the first born son. On the right side is Francesco, the second son.



Latin Saying

Some versions of the painting have Latin words beneath it -

Latin Vulgate - 26:21 et edentibus illis dixit amen dico vobis quia unus vestrum me traditurus est

King James Version - 26:21 And as they did eat, he said, Verily I say unto you, that one of you shall betray me.

So it is simply quoting the passage of the Bible that Leonardo was depicting.

If you're curious, the top version of the Last Supper shown on this page was the pre-restoration version, while the second version is the one after restoration.




ps

Mr. Tissue~I'm so good to u~